Brands of Speakers

This classic guitar speaker actually started life as a radio speaker that was modified specifically for use in electric guitar amplifiers. In its original incarnation as the G12 T530 it appeared in several colour variations, but it was the Blue version, fitted as standard into Vox AC30 amps, that secured its place in guitar tone history.

The Blue found favour with notable guitarists like Brian May, due to its glorious dampened attack, warm lows, mellow upper-mids and brilliant belllike top-end. When coupled with a suitable amplifier it evokes rich definition and develops beautiful musical compression when pushed. According to tone enthusiasts worldwide, the Blue is the benchmark for guitar speaker perfection.

This classic guitar speaker actually started life as a radio speaker that was modified specifically for use in electric guitar amplifiers. In its original incarnation as the G12 T530 it appeared in several color variations, but it was the Blue version, fitted as standard into Vox AC30 amps, that secured its place in guitar tone history. 

The Blue found favor with notable guitarists like Brian May, due to its glorious dampened attack, warm lows, mellow upper-mids and brilliant bell-like top-end. When coupled with a suitable amplifier it evokes rich definition and develops beautiful musical compression when pushed. According to tone enthusiasts worldwide, the Blue is the benchmark for guitar speaker perfection.

This classic guitar speaker actually started life as a radio speaker that was modified specifically for use in electric guitar amplifiers. In its original incarnation as the G12 T530 it appeared in several color variations, but it was the Blue version, fitted as standard into Vox AC30 amps, that secured its place in guitar tone history. 

The Blue found favor with notable guitarists like Brian May, due to its glorious dampened attack, warm lows, mellow upper-mids and brilliant bell-like top-end. When coupled with a suitable amplifier it evokes rich definition and develops beautiful musical compression when pushed. According to tone enthusiasts worldwide, the Blue is the benchmark for guitar speaker perfection.

Building on the platform of the Blue, the Gold is a higher-powered, Alnico-magnet speaker that recreates the unmistakable sonic signature of a ‘well played-in’ original. Over time, the high frequencies of a Blue soften and become less chalky as the cone becomes more flexible – a much sought after characteristic that the Gold exhibits straight out of the box. Also present in the Gold sound from the outset is an added warmth and complexity in the midrange which, coupled with the classic Alnico qualities of a laid-back attack, rounded low end and brilliant belllike highs, deliver huge rhythm voicings and saturated vocal lead tones. 

The Gold is a wonderfully expressive and revealing loudspeaker, affording guitarists an unprecedented degree of dynamic control. It has already become a favourite for many working players worldwide whether picking and bending with Brad Paisley, or rocking hard with Danny Spitz of Anthrax.

Building on the platform of the Blue, the Gold is a higher-powered, Alnico-magnet speaker that recreates the unmistakable sonic signature of a ‘well played-in’ original. Over time, the high frequencies of a Blue soften and become less chalky as the cone becomes more flexible – a much sought after characteristic that the Gold exhibits straight out of the box. Also present in the Gold sound from the outset is an added warmth and complexity in the midrange which, coupled with the classic Alnico qualities of a laid-back attack, rounded low end and brilliant belllike highs, deliver huge rhythm voicings and saturated vocal lead tones. 

The Gold is a wonderfully expressive and revealing loudspeaker, affording guitarists an unprecedented degree of dynamic control. It has already become a favourite for many working players worldwide whether picking and bending with Brad Paisley, or rocking hard with Danny Spitz of Anthrax.

Not every player wants a super-clean, high-fidelity bass sound. Characterised by an extended low end and greater linear excursion, Green Label speakers push out every note with a rich, warm tone and a powerful low-end thump.


Green Label speakers are primed for high-powered rock performances, where a full-bodied, warm, defined tone is essential.

Not every player wants a super-clean, high-fidelity bass sound. Characterised by an extended low end and greater linear excursion, Green Label speakers push out every note with a rich, warm tone and a powerful low-end thump.

Green Label speakers are primed for high-powered rock performances, where a full-bodied, warm, defined tone is essential.

Developed in the late ’70s, the Classic Lead uses a fibreglass voice coil former to deliver an 80W power rating and a unique dynamic sound.

A firm favorite with lead guitarists, the Classic Lead features a tightly controlled low-end, with strong high bass / low mid punch, aggressive mid range attack and a powerful yet controlled top-end.

For power chords it has the tone to make its presence felt but the subtle high-frequency roll-off makes it ideal for solos, able to project single notes on loud stages without becoming shrill.

The Classic Lead is a fine example of the sonic characteristics of a loudspeaker evolving as new materials become available.

Revolutionary in the late ’70s, a fibreglass voice coil former - capable of withstanding very high temperatures - was used to give the Classic Lead a muscular 80W power handling. This also increased barrel stiffness, affecting the way the cone vibrated and influencing cone break up. Then, through experimentation with edge treatments and continued critical listening, some modes were encouraged while others were suppressed, contributing to the speaker’s unique sound.

Today, the Classic Lead is much-loved by lead guitarists for its speed, punch and articulation, with every note clearly defined on even big, distorted sounds.

The Classic Lead also sounds great clean, with that same articulation combining with high headroom to deliver a fluid, dynamic performance.

The G10 Gold is the ultimate 10" speaker, blending unmistakable Alnico class with a rich low-end, creamy midrange and vintage chiming top-end.

The G10 Gold is the ultimate 10" speaker, blending unmistakable Alnico class with a rich low-end, creamy midrange and vintage chiming top-end. Springy, warm, revealing and highly expressive, it can be used singly or in pairs to add a classy sheen to any amp, or in a 4x10 configuration for higher volume depth, warmth and shimmer, with less of the boom associated with 4x12 cabinets.

The 10" that thinks it's a 12". This speaker was developed to recapture the legendary sound of Celestion's 1970s 10s - a 10" speaker with a surprisingly meaty tone. 

Low in output but with the weighty low-end balance of a 12", the G10 Greenback features a complex, creamy mid-range and smooth, vintage top-end. 

In small combos this speaker adds real class, and when combined in a 4x10 gives rise to a raunchy, full-bodied tone, rich in low-end thump.

The 10" that thinks it's a 12". This speaker was developed to recapture the legendary sound of Celestion's 1970s 10s - a 10" speaker with a surprisingly meaty tone. 

Low in output but with the weighty low-end balance of a 12", the G10 Greenback features a complex, creamy mid-range and smooth, vintage top-end. 

In small combos this speaker adds real class, and when combined in a 4x10 gives rise to a raunchy, full-bodied tone, rich in low-end thump.

The 10" that thinks it's a 12". This speaker was developed to recapture the legendary sound of Celestion's 1970s 10s - a 10" speaker with a surprisingly meaty tone. 

Low in output but with the weighty low-end balance of a 12", the G10 Greenback features a complex, creamy mid-range and smooth, vintage top-end. 

In small combos this speaker adds real class, and when combined in a 4x10 gives rise to a raunchy, full-bodied tone, rich in low-end thump.

A worthy successor to the Vintage 10, the G10 Vintage is a 10" speaker with bags of attitude. Using powerful ceramic magnets and the same voice coil design as the Vintage 30, the G10 packs an impressive punch with its 60W power handling. 

With the fast response of a 10" but with the strong and creamy vocal tones of a 12", the G10 is the ideal choice to add depth to hollow-sounding amps, or for players who want to get humbucker-type girth from single-coils. Can be used singly to add vocal warmth to small valve combos, or in quartets for a weightier but still lively attack.

A worthy successor to the Vintage 10, the G10 Vintage is a 10" speaker with bags of attitude. Using powerful ceramic magnets and the same voice coil design as the Vintage 30, the G10 packs an impressive punch with its 60W power handling. 

With the fast response of a 10" but with the strong and creamy vocal tones of a 12", the G10 is the ideal choice to add depth to hollow-sounding amps, or for players who want to get humbuckertype girth from single-coils. Can be used singly to add vocal warmth to small valve combos, or in quartets for a weightier but still lively attack.

In developing the G12 Century Vintage we set out to use our Neodymium technology to design a modern speaker with a distinctly classic vibe. The result is a unique blend of extraordinary note definition and vintage character.

Exceptionally lightweight and loud, with a tightly controlled low-end, the Century Vintage exhibits a clear, powerful mid-range and crisp, bright top-end. With super-fast attack and superb tracking, it’s ideal for use in amps favoured by high-speed guitar players – both high gain rockers and clean country pickers.

In developing the G12 Century Vintage we set out to use our Neodymium technology to design a modern speaker with a distinctly classic vibe. The result is a unique blend of extraordinary note definition and vintage character.

Exceptionally lightweight and loud, with a tightly controlled low-end, the Century Vintage exhibits a clear, powerful mid-range and crisp, bright top-end. With super-fast attack and superb tracking, it’s ideal for use in amps favoured by high-speed guitar players – both high gain rockers and clean country pickers.

Originally created in the late 70s using more modern materials and techniques for a higher power handling, the G12-65 is widely regarded as one of the best speakers ever produced for use in a 4x12 cabinet.

With its fast attack and tightly controlled low-end, the G12-65 had become a firm favourite with hard rock players by the early 80s. The precisely tuned mid-range and crisp defined top-end contribute to an aggressive crunch sound that punches through the mix while the mid-range warmth and detail give weight and depth to single notes.

Originally created as a higher-power handling variant of the G12M Greenback, the G12-65 is widely regarded as one of the best speakers ever produced for use in a 4x12 cabinet.

With its fast attack and tightly controlled low-end, the G12-65 became a firm favourite in the ’80s with hard rock players. The precisely tuned midrange and crisp defined top-end contribute to an aggressive crunch sound that punches through the mix while the mid-range warmth and detail give weight and depth to single notes.

Originally created as a higher-power handling variant of the G12M Greenback, the G12-65 is widely regarded as one of the best speakers ever produced for use in a 4x12 cabinet.

With its fast attack and tightly controlled low-end, the G12-65 became a firm favorite in the ’80s with hard rock players. The precisely tuned midrange and crisp defined top-end contribute to an aggressive crunch sound that punches through the mix while the mid-range warmth and detail give weight and depth to single notes.

It’s hard to escape the sound of the G12H, just listen to any Hendrix recording and chances are you’ll be hearing a whole raft of them powering the guitar out of the mix.

With a heavier magnet than the G12M, this faithful recreation captures the unmistakable mojo of late 60s rock guitar tones. Used singly it exhibits a pleasing, strong low-end, but it’s in a 4x12 configuration that it generates the great chugging ‘thump’ that the guitar heroes of the day were renowned for. With a densely complex and buttery mid-range and a finely detailed top-end, the G12H is excellent for cranking out huge, dark power chords, with smooth and rich bridge pickup tones and flutey neck pickup tones.

It’s hard to escape the sound of the G12H, just listen to any Hendrix recording and chances are you’ll be hearing a whole raft of them powering the guitar out of the mix.

With a heavier magnet than the G12M, this faithful recreation captures the unmistakable mojo of late 60s rock guitar tones. Used singly it exhibits a pleasing, strong low-end, but it’s in a 4x12 configuration that it generates the great chugging ‘thump’ that the guitar heroes of the day were renowned for. With a densely complex and buttery mid-range and a finely detailed top-end, the G12H is excellent for cranking out huge, dark power chords, with smooth and rich bridge pickup tones and flutey neck pickup tones.

If the G12M was to become a classic, it was the G12H with its heavier magnet that really characterised the sound of rock guitar for the new breed of player that emerged in the 1960s. Listen to any Hendrix recording and the chances are you’re hearing the unmistakably creamy tones of the G12H. Originally available in two versions – low resonance for bassists and high resonance for guitarists – both were in fact embraced by guitar players for their unique tonal characteristics.